101 Plays by The New Americans, or on Latinidad – Tlaloc Rivas
Latina/o Plays for Young Performers: A Resource for Teachers – Roxanne Schroeder-Arce
Presente: A Roll Call of New Latina/o Plays – Lisa Portes
Should Latina/o Roles Be Cast with Non-Latina/o Actors? – Magdalena Gómez, Irma Mayorga, Marisela Treviño Orta, Elaine Romero, and Martín Zimmerman
Going Solo: Self-Producing Purple Eyes – Josh Inocéncio
The Legacy of Luis Valdez and El Teatro Campesino: The First Fifty Years – Jorge Huerta
Pedagogy Notebook: Creating Visibility and Empowerment for Latina/o Artists through Wikiturgy – Noe Montez
Flipping to Scripts: Why and How a Poet Becomes a Playwright – Tammy Gomez
Can I Be Latina and Not a Playwright of Color? – Jordan Ramirez Puckett
What Happened When Critics Failed to Review My Latino Play? – Tlaloc Rivas
Interviews with Marisela Treviño Orta, Emilio Rodriguez, Amparo Garcia-Crow, Mando Alvarado, Matthew Paul Olmos, Milta Ortiz, Diane Rodriguez, Octavio Solis, Georgina Escobar, and Magdalena Gómez
Men on the Verge of a His-Panic Breakdown Turns Twenty – Guillermo Reyes